THE SOUND OF THE BIG BANG

by Karl Kindt IV

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Copyrighted © 2007 by Karl Kindt IV | Published digitally 1 December 2007

Isaac Long had wasted his entire life on one question that he now knew he could never answer—what did the Big Bang look like?

Since graduating university at the age of fourteen, he had spent sixty years seeking the answer. Isaac had overseen countless launches of a variety of vehicles, each designed to be faster and more advanced than the last, each equipped with the latest optics and motive engines. No matter how swiftly he sent his sleek exploratory craft, the invisible speed limit of the universe flummoxed him, as if each were running along some cosmic treadmill, never able to get quite far enough away from Earth.

While he knew his concepts were sound, that the principles of what he was trying to do made sense, the inflation of the universe after the Big Bang prevented Isaac from doing what he had spent his entire life attempting to achieve. Each vehicle he sent had one simple purpose—to get far enough out into the ether of the universe so that its optics could look backward, to the center of all that was, and “see” the Big Bang as it had occurred, however long ago. Some sort of quantum effect prevented each craft from ever getting far enough away so as to be able to see the big picture of the Big Bang. Each successive craft overtook the others as Isaac and his assistants developed faster and faster propulsion, better and better optics, and more and more efficient data transmission, but, as he had feared early on and now all but knew, the universe did not allow his crafts to ever reach the outer limits of its expansion.

Just as he was worrying that his eyesight would fail him before he could succeed so that he would never enjoy the fruits of his life’s labor and telling himself for the millionth time that his idea should work and all his theory was sound, it struck him—sound! If he could not see the beginnings of the universe, could he not at least hear it?

Like a mad sea captain changing course in mid-journey, Isaac, with a renewed passion drove his assistants towards a vastly different tack. He gathered all the information regarding sound that existed and within a year found a glimmer of hope. If he could sample the sound of the universe from a variety of different perspectives, he believed he might be able to extrapolate the sound of the Big Bang.

His hopes were dashed when his assistants told him that they would need more years than he probably had left to be able to send out probes that could sample enough of the ambient sounds of the universe to give their quantum computer enough data to approximate what might have been the first sounds of the universe. Again his theory was good, and if he started the project, it would likely succeed, but he would probably not be around to hear the results. In desperation, he opened his lab to the world, to any scientist who might be interested in the data he had thus far collected, and he commissioned anyone who would listen to devise a way that the process might be expedited.

A week later he received an anonymous message from someone who wanted no credit for the idea—why not use the multitude of crafts he had already sent out to collect his data? He deleted the message with a snort, disgusted by the message sender’s ignorance. Isaac had equipped his vehicles with every type of optic he could, but naturally none of them recorded audio of any kind.

He awoke the next morning and realized he actually could do it.

Each vehicle recorded various telemetry data, including vibrations in the hull and all manner of radiation, and what was sound but vibration? The cliché that sound did not travel in a vacuum was overstated. Every star and planet gave off energies, and all matter was affected by vibration. While the human ear could not perceive the background noise of the universe, the sensors aboard his failed explorers might contain enough information.

Weeks upon weeks he spent preparing his quantum computer, trying to devise a program that could collate, interpret, and extrapolate all the vibrations and radio waves each craft had recorded across the universe. The computer gave him its projected completion time for the program to run. Naturally, he expected it might take weeks or even months. Isaac broke down and cried when the computer reported it would take at least a decade.

His eyesight began to fail, despite repeated corrective surgeries. Doctors provided him with bionic ear implants that enabled him to hear well enough. At last he tottered into the room in which he had spent decades of his life and saw that the calculations, extrapolation, and interpolation were complete.

Scarcely able to believe it might be true, he instructed the computer to play its interpretation of the sound of the Big Bang. Isaac had to play the audio three times before he believed what he was hearing—it sounded organic, almost like a human voice. He suspected his implanted hearing aids were playing tricks on him.

Isaac made the audio public to see if any of his peers could shed light on it. Within minutes, he received a message from a linguist. The sound was indeed a voice, speaking an ancient language. The linguist believed that, although the sound was extremely distorted, the voice was saying, “Let there be light.”

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